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I am a huge fan of all things literary. As a classroom teacher , I often used games to enhance education. Game playing is the perfect setting for organic conversations and encourages problem solving and strategizing. I always had Scrabble games in my classroom. At least once a semester we would play the game. A four player game of Scrabbles lasts about two hours but in that two hour time period, my students weren't just playing a game, they were spelling, problem solving and doing math. After we played I challenged them to write a story or poem using as many words from their game board as possible, there would be prizes. Now my students were working together and creating as a group. In the moment they thought they had a day where academics were not involved but as many of my former students have children of their own, they appreciate the many ways I creatively taught them to appreciate language and the art of quality conversations. I had a thought while taking a stroll through my memories, why don't I do this with the community I have the honor of being a part of ? I invite you to join me every fourth Saturday for Playing With Our Words! " Playing   With  Our   Words ," a dynamic workshop designed to blend the thrill of Scrabble with the creativity of storytelling and poetry. Over the course of three engaging hours, participants embark on a journey where language becomes both playground and canvas. The workshop kicks off with a spirited game of Scrabble, where every tile placed on the board becomes a seed for imagination. As  words   are laid down, they not only score points but also inspire and challenge participants to think critically about language and its expressive potential. Following the game, participants transition into the creative phase of the workshop. Armed with the  words   played during Scrabble, they use them as building blocks for crafting original poems or short stories. Whether it's the unexpected juxtaposition of  words   or the challenge of incorporating a diverse vocabulary, every participant discovers new avenues of expression. Facilitators encourage lively conversation throughout the workshop, fostering a supportive environment where ideas flow freely. Discussions range from strategic gameplay insights to interpretations of the meanings and emotions evoked by the chosen  words . This collaborative exchange not only enhances participants' literacy skills but also deepens their appreciation for the richness of language. By the end of " Playing   With  Our   Words ," participants emerge not only with a newfound appreciation for language but also with a tangible creation—a poem or short story—that reflects their unique perspective and creativity. This workshop is not just about  playing   a game; it's about discovering the power of  words   to connect, inspire, and transform. This event is open to ages 12 - 112, all minors must have adult supervision. Playing With Our Words is a great event for homeschool groups, families, word enthusiasts, writers, and those who love Scrabble as much as I do. Hope you will join me, Theresa Davis Literary Director/ Teaching Artist/ Author/ Poet EVENTS

BY PEARL MCHANEY, artsatl.org June 3, 2024 "Klänge" (2023) by Caroline-Lathan-Stiefel, one of the artists whose work appears in the group show "A Room of Her Own" at the ArtsXchange through June 22. Nearly 100 years ago, in her slim book A Room of One’s Own, Virginia Woolf argued that “it is necessary to have five hundred [pounds] and a room with a lock on the door if [women] are to write fiction or poetry.” Dedicated space and sufficient income remain essentials in this century, particularly for women, particularly for visual artists. With this in mind, Lisa Tuttle curated A Room of Her Own: Women Studio Artists from AXC’s 40-Year History, on view at the Sinclair Gallery of The ArtsXchange in East Point through June 22. Retired from her full-time job as arts administrator and consultant, work that afforded her the income to have a studio, Tuttle continues to curate shows and works daily in her studio. For the first 12 months of having that “room of her own,” she kept a photograph of the studio on her desk but managed only four days in her studio. To honor the women who have or have had studios (rooms of their own) at ArtsXchange, Tuttle contacted 28 women. Not all could participate — for various reasons — but 23 did. She kept a light hand in curating, encouraging current work, hoping for something that represented them well. Tuttle was delighted to discover that the connections among the women as a “crossover between poets and visual artists, spoken word artists and photographers” emerged. Several are social justice advocates whose art practice involves community. Many shared similar challenges in maintaining an individual studio with conflicts of teaching, children, jobs, caregiving or spouses relocating for jobs. By bringing the artists and the work together, Tuttle learned how the women had connected during their time at ArtsXchange: that Caroline Lathan-Stiefel had shared a studio with Donna Pickens; that Lynn Marshall Linnemeier had shared her studio with ceramicist Chris Tholl; that Dana Cibulski, Rebecca DesMarais, Jaynie Crimmins and Elyse Defoor had occupied the same space at separate times. Lisa Tuttle (top row, right) and Alice Lovelace-Riley (bottom row, second from left) with some of the women artists in the ArtsXchange group show “A Room of Her Own.” Photo by Jim Alexander, May 2024 Installed chronologically for the most part, the show begins with work by Alice Lovelace-Riley, founder of the ArtsXchange. Although Beverly Buchanan died in 2015, to honor her studio time at the ArtsXchange, Tuttle included one of the artist’s oil pastels. In the process of curating, Tuttle adjusted the initial parameters for the artists’ selections to mount the creations of 23 women. The artists’ biography labels include not only their years at the ArtsXchange but often what they learned from one another, their various media and current work. A Room of Her Own and the gathering of these women artists at the artist talk on May 5 demonstrate an “understanding of the breadth of the women’s work. When you have a studio, you are there to work,” explains Tuttle. “You might say hello and have brief conversations, but then you shut your door and go to work. Yet even while working individually, you know these [other] artists are there; they are allies, supporting and encouraging one another, sharing knowledge of exhibition, gallery and funding opportunities. How stunningly beautiful it all is in the end — that’s what surprised me. It’s a really strong show.” In art, Tuttle suggests, “the beautiful idea is always the philosophical thing, the aspiration of an artist, the understanding, what you are communicating. Here [in this show], it’s the idea of bringing these women together, visibility for these women. Just how strong it is, how important it is for any artist, for women, to have a studio, to have a place to work, as humble or as fancy those circumstances may be. All along, I wanted to honor the collective strength, talent, seriousness and professionalism that these women artists epitomize.” Having been with the ArtsXchange for over 30 years, Tuttle hopes it will continue to thrive. Lisa Tuttle (top row, right) and Alice Lovelace-Riley (bottom row, second from left) with some of the women artists in the ArtsXchange group show “A Room of Her Own.” “We need to gather old friends and new friends as well to be involved. I want women artists and their work to have as much visibility as possible, for these women to be reconnected and more connected with the organization, for there to be some sort of continuity. And I want others to experience the value of having community arts space where artists can work and can get a studio.” :: L-R: Jaynie Crimmins’ “Science and Reason Matter” (2017) (Courtesy of Thomas Deans Fine Art); and Lynn Marshall-Linnemeier “Blue Pensive Elixer” (2019) Pearl McHaney, Kenneth M. England Professor of Southern Literature Emerita at Georgia State University, is a former associate dean of fine arts at GSU, an avid reader and an appreciator of the arts. She is the co-founder of Revival: Lost Southern Voices and founding editor of the Eudora Welty Review.

As April, National Poetry Month, came into full swing, the ArtsXchange embarked on an exciting journey of artistic collaboration and community engagement. Led by the Literary Director, Theresa Davis, and in partnership with South Fulton Arts, the ArtsXchange initiated an eight-week artist residency with the esteemed Finish Strong Learning Pod afterschool program. This collaboration aimed to nurture young minds, fostering creativity and a deep appreciation for the written word among 3rd to 5th graders. Under the guidance of passionate mentors, these budding poets embarked on a transformative journey. Over the course of eight weeks, they delved into the richness that is language arts, exploring various poetic forms and unleashing their creativity in profound ways. From the structured elegance of cinquain to the minimalist beauty of haiku, these young wordsmiths explored the vast landscape of poetry, each form offering a unique canvas for self-expression. However, the journey didn't stop at mere poetry. The residency also incorporated skill-building games and collaborative activities, nurturing not only individual creativity but also fostering a sense of camaraderie and teamwork among the participants. Through these activities, the young poets learned to appreciate the power of collaboration, understanding that creativity flourishes in the fertile ground of shared ideas and mutual support. One of the highlights of the residency was the exploration of "Samurai Song" by Robert Pinsky. This evocative poem served as a catalyst for introspection and discussion, inviting the young poets to delve into its themes of courage, resilience, and the triumph over adversity. Through guided exercises inspired by Pinsky's work, the participants explored the nuances of language, dissecting the poem's structure and imagery while drawing parallels to their own experiences. Central to the success of this endeavor was the unwavering support and dedication of Dr. Sylvia Carter, the driving force behind the Finish Strong Learning Pod. Dr. Carter's commitment to educational excellence and community empowerment served as a guiding light, ensuring that each participant had the opportunity to thrive and discover their unique voice. As the residency draws to a close, the ArtsXchange extends its heartfelt gratitude to Dr. Sylvia Carter, the Finish Strong Learning Pod team, and all those who contributed to making this initiative a resounding success. Together, we have embarked on a journey of creativity, empowerment, and discovery, inspiring the next generation of poets to dream boldly and write fearlessly. In the words of Theresa Davis, "May these young poets continue to write their stories, bold and unapologetic, they are the voices of tomorrow, shaping the world with every word they pencil or pen." Theresa Davis, Dr. Sylvia Carter, District 3 Councilwoman Helen Willis and the Finish Strong Scholars.

Genre celebrated as Jazz Appreciation Month continues EAST POINT, Ga. — From dazzling horns to dancing piano keys, and all the bent notes, stirring strings, and vibrant vocals in between, the ArtsXchange is excited to celebrate National Jazz Appreciation Month with a free concert. ArtsXchange and Jazz Matters will present The Edwin Williams Experience at 7:30 p.m. April 26 in the Paul Robeson Theater at ArtsXchange, 2148 Newnan St. in East Point. The concert, featuring a blend of traditional and contemporary jazz by Williams, Terry Dukes, Cheryl Johnson and other Metro Atlanta jazzers, is free and open to the public. “Jazz, which is widely regarded as the only truly original American art form, was created by African Americans and has become a national treasure,” said Jazz Matters Director Janice Williams. Jazz Appreciation Month, fondly known as JAM, was created in 2001 to recognize and celebrate the extraordinary heritage and history of the genre, which stretches back to New Orleans’ Congo Square in the 19th century. JAM encourages people of all ages to participate by studying the music, attending concerts, listening to jazz radio or recordings, or reading books about jazz, Williams said. Edwin Williams is a bassist and native of Wilmington, N.C., who began touring at an early age with his father, guitarist and gospel artist Melvin Williams Sr. But he has also rooted himself in the Atlanta music scene as part of the John Robertson Trio at Dante’s Down the Hatch for over 23 years; the Atlanta Symphony Orchestra’s annual production of A Soulful Christmas; and as the producer of the inaugural Jazz Matters At The Wren’s Nest outdoor summer concert series in 2016, the year he also founded Jazz Matters. *** About ArtsXchange The ArtsXchange, d/b/a the Southeast Community Cultural Center, was incorporated in 1983 and opened The Arts Exchange In 1984 in Grant Park, reshaping the landscape of Metro Atlanta’s arts scene. In East Point since 2017, the ArtsXchange empowers artists, social justice activists, and creative entrepreneurs to engage communities with innovative artistic learning experiences and cultural exchange. Our programming is designed to be inclusive, diverse, and to encourage positive change as participants come to a better understanding of themselves and others. Our art is our activism. About Jazz Matters Jazz Matters Inc. is a non-profit organization dedicated to recognizing the cultural and artistic significance of jazz music. Jazz, which is widely regarded as the only truly original American art form, was pioneered by African Americans and has become a national treasure. At Jazz Matters, we firmly believe in the importance of jazz music and our goal is to celebrate and promote it through our work. As a 501(c)(3) organization, we aim to support the continued growth and preservation of this invaluable art form.

Southeast Community Cultural Center (SECCC), opened its first facility, The Arts Exchange, in 1984.  Since its beginning in Atlanta’s Grant Park community, the organization has been known as a gathering place for artists of all disciplines and a place where the community can experience the arts through classes and exposure to performances, and gallery exhibits.  The organizational mission was and continues to be; to maintain a center for the arts and creativity that welcomes professional to novice; accessible to all regardless of income, geography, sexual orientation, or ability.  Where the right to use art to contemplate the world and the human condition translates into the amplification of long-silenced voices and visions through creative processes.   In 1982-1983, The poet and community organizer, Ebon Dooley worked with a diverse group of artists, politicians, union organizers, activists, and community supporters, to get a lease from the Atlanta Board of Education for the former Grant Park Elementary School. He wanted a facility to house artists and organizations displaced by the closing of The Neighborhood Arts Center. The Arts Exchange continued a long tradition of housing and supporting black artists and black culture in Atlanta. When we opened, we changed the paradigm for what an in-town community arts center can do to serve artists and the greater community. The building housed two galleries, a recording studio, the 400-seat Robeson Theater, 2 dance studios offering modern, Ballet, and West African dance; 15 artist studios, on 4.5 acres of grounds for festivals and music events. The Robeson hosted a performing arts series, and a new music concert series supporting alternative music. Our support for local musicians and bands was recognized by Creative Loafing who named The Arts Exchange "the most important site for new music in the city" three years in a row. A list of artists who have called The Arts Exchange home reads like a "Who's Who" of the art world and includes Guggenheim Fellows Beverly Buchanan, Kevin Cole, Rocio Rodriquez, Jack Sinclair the creator of the Mattress Factory Exhibit, Louis Delsarte, to Jim Alexander, Kevin Cole. Performance groups have included The African Dance Ensemble, Terri Axam Total Dance Theatre, McClendon School of Dance, Sheria Enahora Tabala Arts, a Ti Chi and martial arts school for youth and adults.  Moving in the Spirit, Ballethnic, and Elisabeth Williams-Omilami, are among the artists who made their fist performance on our stage. The Arts Exchange was part of some iconic moments in Atlanta's cultural history. It was the inaugural site of the ROOTS Festival designed and organized by The Arts Exchange in 1988 and 1990, and funded by the National Black Arts Festival. With visual artists Thomasina Bradford and Donna Picken, we worked to fund, plan, and host the legendary "Re-Thinking the Sacred Image" conference looking at feminism, religious studies, and the creation and promotion of sacred art.  Our Summer Arts Enrichment Program for Youth was first offered in 1985 and grew so successful that it became a model program, held up as an innovative way to serve and nourish art for youth throughout the state of Georgia. Taught by studio and guest artists, youth ages 5-15 received rigorous training in visual arts, dance, creative writing, film critique, and music.   In 1991, Artistic Director Eddie Billups was able to hire Freddie Hendrick with funds from the City of Atlanta with the goal of creating a youth performance group. This was the beginning of what became the Freddie Hendrix Youth Ensemble of Atlanta, we provided a home for three years, and among his first company members were the alumni of the Summer Arts Enrichment Institute. After 3 decades in Grant Park, we watched the neighborhood undergo extreme changes as a focus of the growing movement toward gentrification. In 2016 we sold the Kalb St. facility. In 2017, we bought and renovated the former Jere Ware Elementary School (later known as the Romar Academy).  The ArtsXchange is a name reflecting a renewed purpose and relocation to a facility designed by and for artists, that meets ADA guidelines for accessibility while offering a flourishing schedule of arts experiences for people of all generations and abilities. We believe we are the largest and most diverse artist-run and owned facility, and arts services provider in South Fulton County. Since taking occupancy in December 2018, The ArtsXchange has been a thriving example of creative placemaking with a focus on art for the people's sake, our openness and inclusivity in an industry that can feel exclusive, the ability to show emerging artists alongside seasoned artists, and even the reigniting and renovating an abandoned school as a place of arts learning.  As a small, grassroots nonprofit, we rely on collaboration to offer a wide range of programs and events; offering practicing, professional artists a chance to nurture their creativity, make their work available to the public, provide ways for them to share their arts practice, and provide educational opportunities with the public. Having artists and events housed in one facility makes for ample opportunities to nourish and stimulate the creativity of the audiences and students.  We survived the schedule of the COVID-19 pandemic by increasing the virtual programs and moving programs to the 1.5 acres of outdoor space. Since mid-2021, we returned with new exhibitions, classes, music and performance programs, STEAM-based arts education projects, and community-curated events that together attract the participation of over 11,000 youth and adults annually. We continued the mission to be a home to artists, social justice activists, and creative entrepreneurs, to serve the communities with artistic learning experiences, and; to enrich lives by celebrating art, inspiring creativity, and building understanding by connecting people. As we move into our 40th years of community arts and service, we reflect on the individuals and resources that have committed to us through collaborations and partnerships, Morehouse School of Mediacine Innovation Lab, East Point Community Advisory Committee, Compost NOW, South Fulton Arts, United Arts, Gilbert Young, and are in place to make 2023 the best year ever. The Board recently added an Outreach Committee, led, and designed by young adults in their 20s with the goal of engaging emerging artists who may benefit from the resources we have on-site and increasing the number of millennials that we serve while advising us as we develop programs. Artist Kevin Cole organized a Benefit Collectors Showcase art sale. While Gilbert Young donated 100 prints of his famous work “He’s Not Heavy” and a limited-edition print. With our partners, we plan to deepen the reach into underserved and working-class communities thanks to partnerships with the City of East Point/Morehouse School of Medicine on the Health Equity Plan through our service on the Community Advisory Board. South Fulton Institute and Arts United. The Pierians, The Society, I Am Arts Foundation, and EVOLV Acting Studio. We continue to partner with Art Pharmacy , a referral network for care providers (doctors, behavioral health specialists, etc.) to prescribe arts interventions for aging adults showing risk factors for social isolation and depression; and adolescents (12-24) with behavioral health conditions, specifically anxiety, depression, and suicidal ideation.  Jack Sinclair Gallery is named for Jack Sinclair, one of the organizers of the early Mattress Factory Shows and owner of the Metropolitan Gallery. Jack built the first gallery and named it after his closed gallery. The Arts Exchange Metropolitan Gallery opened in 1986. Jack brought with him contacts and influence, allowing us to continue his tradition of openness and acceptance of art from multiple genres and diverse communities. Today we continue that tradition of being that place to support emerging MFA Visual Arts graduates to established artists. Jack Sinclair Gallery  supports six to eight exhibitions annually, along with curated programs that connect with the exhibition themes, and an artist's talks.  The Literature and Literary Program  began with the Atlanta Writers Resource Center led by transplanted New York poet and organizer Malkia M’Buzi Moore. Malkia created a program deeply rooted in the writing community and supported by writers like Eugene Redmond, and Askia Touré, the current Literature and Literacy Program  coordinated by Theresa Davis offers 5 literary events a month, including a monthly Scrabble Club.  Entering year number three , A Family that Creates Together  encourages families to attend STEAM-based arts education classes as a unit. The goal is to help relieve anxiety, stress, and depression and offer educational learning in a creative and fun atmosphere.  2023 workshops led by seasoned teaching artists Jeff Mather, Marquetta Johnson, and Theresa Davis will take place between January and April, culminating in The Joy of Learning Festival in May. Jeff and Marquetta will lead students in breaking down the elements of math that apply to engineering, introducing them to simple tools and the design of a sculpture.  He teaches them to create the bones of the sculpture and Marquetta teaches them how to design the skin to cover the sculpture.  Theresa Davis and Marquetta Johnson collaborate on a creative writing and story quilt-making module for students ages 8-12 years and their parents or caregivers.  Leading the participants in an exploration of identity and place, writing in a variety of styles, and drawing upon their experiences.  These classes culminate in the production of a handmade chapbook.  Marquetta Johnson will guide participants in the creation of a small family story quilt.   Fresh Oasis Community Garden  provides families and individuals with garden beds to grow fresh produce and healthy eating classes. We partner with Champion Gardeners Youth Entrepreneurs and Nature’s Candy Farms. Thanks to a grant from Food Well Alliance and a donation from Dr. Doris Derby the garden was expanded to over 30 raised beds, offering space for individuals and families to purchase beds to plant and harvest their personal gardens.  We now have vegetables, herbs, butterfly, and flower gardens along with fruit trees. The Studio Artists Program  supports art makers and creatives, emerging to mid-career by providing them an economic base to sustain their creative careers, and a space for community engagement. Studio artists include: I Am Arts Performance Company. Dr. Tiffany Mingo & Wise Mingo . Offering various genres of dance, West African drumming, performance arts, summer camp for youth. The Jim Alexander Collection. Jim Alexander, photographer . Documentary photography of Black culture, music, and protests from the 1960s to today. Sista Seuss Productions. Theresa Davis . Slam poet, educator, and Creator of Miniature Environments. GP Creative Studios. Ric Washington. Graphic designer and printer, mixed media artist. Sista Shaman. N’Dieye Gray Danavall . Photographer, digital media producer and spiritual worker. Evolv Acting Studio. Victor Love . Film/TV actor, acting coach and founder of Evolv, which offers a range of classes for actors. Art by Kenneth Zakee . Kenneth Zakee . Textile and gourd artist, painter, artist and poet. Myriam Dondzina. Artist/painter, Capoeira instructor. Deputy of Cities for The Nature Conservancy. Black Tree Arts. Tafawa Hicks . Photographer and custom framer. Nature’s Candy Farms & Pyramid Sunrise Yoga. tenisio seanima . Farmer, yoga teacher, WRFG radio DJ. Lisa Tuttle Studio. Lisa Tuttle . Painter, mixed media artist, art educator, curator. Vibrance Centre for Voice and Movement.  Frances “Frankie” Mulinix . Butoh-based dancer, performance artist, producer, dramaturge, choreographer, director, teacher, and intimacy choreographer and coordinator. Champion Gardener Youth Entrepreneurs. Carolyn “Charlie” Robinson . Youth-run (ages 5-16) agricultural business, outreach program for seniors, Farmer’s Market and fresh food events. Mirror Image Entertainment. Carlos Glover . Musician, producer, and entrepreneur. Paul Robeson Theater Incubator Project  exists to identify and support performing artists to produce new work and to grow their audience. In 2022 we supported Meadowlark Film, led by 3 emerging arts leaders in their 20’s to produce a new play based on the 1906 Atlanta riot and a short film. We are proud to support the work of jazz musicians through sponsorship of Joseph “Joe” Jennings and Joe’s Jazz Joint on Sunday evenings from 4-7 p.m.  For 2024 we are happy to support the work of Atlanta playwright, Dr. Janice Liddell, who has produced her plays across the country and in several other countries. Janice will work with two other playwrights to bring new work celebrating the life and contributions of seniors as they live their lives with love and commitment. Elders Igniting will premiere in May 2024 for three performances. The Annual Ebon Dooley Arts and Social Justice Awards,  now in its 6th year, honors the life work and contributions of the founder, advancing diversity, equity, inclusion, and justice.  In 202 the honorees include Janice Liddell - Change Maker . Roselyn Lewis - Bridge Builder . Marshall Rancifer - Economic Justice . Carlton Mackey - Social Justice Champion . Meadowlark Pictures – Zipporah Dorsey, Solomon Simmons, and  Noah Washington - Emerging Leaders.   Ashley Dopson - Jack Sinclair Visual Artist   Award .  Honorees for the 2023 Awards were: Sister Omelika Kuumba , groundbreaking African dancer and drummer, co-founder of Giwayen Mata, and longtime Spelman professor; BronzeLens Film Festival of Atlanta , an acclaimed festival that spotlights women creators and works to solidify Atlanta’s place in the film and TV industry; Courtney Brooks , a muralist and curator who builds community and honors Black women through her initiative, Journey of a Black Girl; Jonathan JourneyBrave Banks , a photographer and filmmaker whose lens illuminates forgotten or marginalized lives; 7 Stages Theatre , a global-minded production house that shines light on political, social and spiritual plays, and uplifts budding playwrights; and SisterSong , the fierce and unyielding women of color reproductive justice collective. We are committed to: Providing affordable studio facilities and support to emerging, mid-career, and established artists; Being an initiating bridge for opportunities for cultural exchange and arts education — artist-to-artist, and artist-to-community;  Serve as a dynamic community based economic resource Maintain a vital multi-disciplinary, intergenerational, and multi-ethnic environment.  Honor the rich legacy of artists, creatives, donors, volunteers, and organizations that have intersected the Arts(E)Xchange's 40-year history. Affect positive change by advocating arts, human rights, and social justice.  Fiscal responsibility and excellent non-profit organization management practice

Dear Poetry Lovers, I am thrilled to extend my heartfelt gratitude to everyone who joined us for the electrifying February XChange Open Mic and Poetry Slam! The Robeson Theater was pulsating with the rhythms of music and verse, creating an unforgettable night of artistic expression and community. Hosted by the incomparable duo, Mista Funn and Theresa Davis, this event takes place on the second Friday of the month. The stage was graced by an array of talented individuals, each leaving their mark on our hearts and minds. Our slam participants this month showcased immense talent and courage. A special shoutout to Zordo, Jill, Chev, Nikki Gray, Oloyo, Nathan, Madam, Edith, and Manly Pointer, with a tip of the hat to Shelby Birch, our sacrificial poet for the evening. Amidst a sea of captivating performances, it was Madam who emerged victorious as the winner of this month's slam. Madam's fresh voice and captivating presence resonated deeply with both judges and audience members alike. (Theresa Davis and Madam) But the magic didn't stop there. Our open mic segment was a whirlwind of emotion, with poets and musicians pouring their hearts out onto the stage. We were honored to welcome guests from as far as Connecticut and Kentucky, enriching our community with diverse perspectives and voices. (Steven Gavilanez and Hasan Davis) The energy in the theater was palpable, with our audience fully engaged and our judges unwavering in their discernment. It was heartening to see the space nearly bursting at the seams with eager souls, hungry for the power of poetry and music. (Shelby Birch and Brother Zakee) Looking ahead, we have an exciting event lined up for March. In celebration of Women's History Month, our next Open Mic and Poetry Slam will feature a special competition. The first twelve female-identified poets to sign up will have the chance to vie for a prize of $100. We invite you to join us on Friday, March 8th, at the ArtsXchange for what promises to be another unforgettable evening. (Mista Funn) As always, we rely on the support of our community to make these events possible. Whether as judges or enthusiastic audience members, your presence and participation are invaluable. Thank you once again for being part of our vibrant artistic community. Until we meet again under the glow of the stage lights, keep the words flowing and the spirit of creativity alive. Warm regards, Theresa Davis Literary Director Stay connected and up to date with all our upcoming Literary Events! Don't miss the next Artsxchange Poetry Slam! https://www.artsxchange.org/literary-program

Steve R. Allen’s ‘Fractal Vision’ to explore genealogy, architecture at ArtsXchange Renowned Olympic Games artist to host first Atlanta exhibit in a decade EAST POINT, Ga. — With a portfolio spanning Rio to Beijing to the Smithsonian, Steve R. Allen is bringing his artwork to the Jack Sinclair Gallery for his first Atlanta exhibit in a decade. Ancestral Origins: The Fractal Vision of Steve R. Allen, will open with a reception and a few words from the artist from 7-9 p.m. Feb. 10 in the Sinclair Gallery at ArtsXchange, 2148 Newnan St., East Point. Immaculate patterns, electrifying colors, Adinkra symbols, and regal Black figures cover the massive works. They converge at the point of an intense and wandering imagination, and a recalling of Indigenous African fractal art techniques that live in many customs, from hair braiding to kente cloth to building styles. “I use a lot of geometric shapes and patterns, incorporating that with human figures at times,” Allen said. “I am inspired and create from that link of creativity, culture, and spirituality. My work celebrates Black women, African people, cosmology, and earth energies.” Fractal patterns are formed by repeated subdivisions using a mathematical process. The scale of the patterns decreases with every repetition. Allen will explore his artwork and the historical basis of fractal Afrofuturism during a gallery talk from 7-9 p.m. on Feb. 23. Joining him will be Oscar Harris, an abstract expressionist artist who was the leading architect in Atlanta and the Southeast region for more than 40 years; and scholar Kimbeni Mansion, whose research centers ethnomathematics and its effects on Black students’ cultural and historical literacies. Allen, a native North Carolinian, is excited to return to the place he has called home for many years. He first came to Atlanta as a 19-year-old the the 1970s, then again in 1992, just a few years before he quit his job — led by his personal challenge that he could create the type of art he saw on a visit to the National Black Arts Festival — and became the official artist for the Olympic Games in Atlanta. He has since been the artist for seven other Olympic Games. “The ArtsXchange is a special place and Atlanta has been a special place to me,” he said. “It’s like no other. There’s something about the history of Atlanta and the spirit of the people.” The exhibit and gallery talks are free and open to the public. Gallery hours are from 10 a.m. to 6 p.m. Tuesday-Saturday.

The Pollinators: An Artistic Celebration of Plants, Pollinators, and Habitats In the face of a rapidly declining natural world, “The Pollinators” emerges as a poignant tribute to the intricate ecosystems that sustain life on our planet. Against the backdrop of a looming extinction crisis, this juried art exhibition dares to shine a spotlight on the often-overlooked marvels of flora and fauna, urging us to rekindle our connection with the natural world. “The ArtsXchange invites artists to channel their creativity into a celebration of plants, pollinators, and the habitats they call home. From delicate wildflowers to towering trees, from bustling beehives to the flutter of butterfly wings, each artwork serves as a testament to the beauty, resilience, and interconnectedness of life on Earth. At the heart of this exhibition lies a powerful message—a plea to combat the phenomenon of “plant blindness” that plagues modern society. Through captivating visuals and thought-provoking narratives, “The Pollinators” seeks to awaken the dormant appreciation for the vital role that plants play in sustaining our existence. But “The Pollinators” is more than just an exhibition—it’s a call to arms, a rallying cry for collective action in the face of environmental degradation. As you wander through the gallery, let each artwork serve as a reminder of our shared responsibility to nurture and protect the precious web of life that sustains us all. Join us in celebrating the beauty and resilience of plants, pollinators, and habitats at the ArtsXchange where art becomes a powerful catalyst for social and environmental change. About the Gallery Committee Chairs Lisa Tuttle is a mixed-media artist, curator, advocate, educator and writer. A former lead administrator with the Fulton County Public Art Program and gallery director for the Nexus Contemporary Art Center (now Atlanta Contemporary) and Atlanta College of Art, Lisa was also the visual arts director for the Arts Festival of Atlanta.  Ric Washington, mixed-media artist, graphic designer and educator, studied at Kansas City Art Institute & School of Design. The former curator of art and graphics at Zoo Atlanta worked on award-winning conservation education projects throughout the U.S. and East Africa.  He is now a designer and print specialist for Fulton County Schools. About the Exhibit Guest Judge K. Joy Ballard Peters is a second-generation visual artist, born and raised in Washington, D.C., who followed her mother, E. Loretta Ballard, in teaching art and working with fabric. Peters holds degrees from Howard University BFA and Boston University MFA and studied art education at D. C. Teachers College. She has exhibited extensively in the United States for forty years and won 1st place in the Juho Rissanen Pictorial Art Exhibition, Kuopio, Finland. She has participated in more than 10, one-woman exhibitions and her appliqué art is found in Bishop College Collection, Texas; Georgia Art Bus, Fulton County Arts Council and Library, Apex Museum and BellSouth in Atlanta, GA; Brown & Company, CPA, PLLC, Maryland; and in other corporate and private collections across the country.  See More Application deadline Monday, March 18 11:59PM Questions? AXCgallery2024@artsxchange.org

About the Event ArtsXchange Open House Pin-Up Show + Sale 2024 6-10 p.m.* Saturday, Jan. 27 Jack Sinclair Gallery @ ArtsXchange Enjoy drinks and music at the event from 6-10 p.m. Entry as a participating artist is FREE for current members.   * MEMBER EXCLUSIVE: Enjoy wine, cheese, a first look, and first chance to purchase during our members-only segment from 4-6 p.m. Become a member and take $10 off any level of membership with the code PINUP2024!  >>> CLICK HERE TO SIGN-UP FOR MEMBERSHIP!   >>>THEN, SUBMIT THIS REGISTRATION FORM TO SELL YOUR ART! ARTIST REQUIREMENTS Participating artists must be current ArtsXchange members or purchase a membership to submit work in Pin-up Show + Sale.  Membership must be purchased and registration form submitted online prior to or at drop-off. Artists must be 18 or older and may join online using the discount code PINUP2024 to take $10 off. Upon drop-off, web resolution images will be taken of artwork for placement on event page. Artists are required to manage collection of payment for the sale of artwork directly from collector. ARTWORK REQUIREMENTS All artistic media accepted Only one artwork at a time may be displayed by each participating artist. In case of sale or other change, artist may display another artwork according to the same requirements in the same location. Membership must be purchased and registration form submitted prior to or at drop-off Artwork must be no larger than 24 x 24 x 4 inches (including any mats, frames, or borders) Artist must be able to hang work on the wall with no more than 4 standard push pins (provided by ArtsXchange staff) Artwork must be priced at $500 or less Artist's name must be printed on the front or back of the artwork DROP-OFF TIMES FOR ARTWORK 11 a.m. to 5 p.m. on Friday, Jan. 26 and 11 a.m. to 3 p.m. on Saturday, Jan. 27 SALES The artist is responsible for collecting payment from collectors. The ArtsXchange will provide wrapping/packaging materials to purchasers as needed. PICK UP OF UNSOLD ARTWORK Artwork may be picked up following the event on Jan. 27th,  or from 10 a.m. to 5 p.m. Tuesday, Jan. 30. Unclaimed work will be discarded after Saturday, Feb. 3. Questions please contact info@artsxchange.org

Our gratitude to this year's Ebon Dooley Arts & Social Justice Awards honorees! What an inspiring evening. We are excited to see you all continue to enrich the Atlanta community! Thank you to all who came out to celebreate our Honorees. Photo by Jim Alexander, Dec. 2, 2023. L-R: Joyce Sheperd, Cheryl Johnson (ArtsXchange board members); Bridge Builder, 7 Stages Theatre (Heidi Howard); Social Justice Champion, SisterSong (Seyi Adebanjo); Jack Sinclair Visual Artist, Courtney Brooks; ArtsXchange Director Alice Lovelace; Economic Justice Champion, BronzeLens Film Festival (Deidre McDonald and Kathleen Bertrand); Change Maker, Sister Omelika Kuumba; Emerging Leader, Jonathan Banks; ArtsXchange Media Manager Angela Oliver. Learn more about our Ebon Dooley Honorees