My style and art-making philosophy is a collection of influences from my experience in American graffiti, and studies in traditional Korean, Chinese, and Japanese calligraphy and painting, Ukiyo-e woodblock prints, comic books, graphic design, and indigenous symbolism and lore. One notable characteristic of my work is the text that I incorporate; it is all written using the English alphabet, but designed to emulate the Chinese character system. While living in Seoul, South Korea, I saw a structural connection between English and Hangul through a shared use of vowels and consonants to form words. Merging his awareness of these similarities with my experience as a graffiti writer, I began to develop an intricate writing system that begins in brush calligraphy and can be adapted to typography and design. Cultural connectivity is a huge component in this work, which mirrors the social progression of our contemporary environment. Conceptually, the work I create speaks to a universal human condition within concepts surrounding change, connectivity, identity, perception, and self-actualization.
Brandon Sadler (b.1986) aka Rising Red Lotus, a name which also serves as a mantra telling the story of the lotus whose roots were sown deep in the mud of good and evil, who gathered nutrients from both sides, and rose to the surface to become whole. He is a native ATLien, earned a BFA in Painting and Illustration from SCAD Atlanta, and is a multi-disciplinary artist, calligrapher, film director, and writer.
Sadler is renowned for his public mural works and his solo and group exhibitions have brought him accolades as one of Atlanta's most prolific artists collected by individuals as well as the High Museum of Art. His mural work on the set of MARVEL Studio’s Black Panther has brought great attention to his work in recent years. In addition to activating the fine art and public art worlds, he has also worked with several major brands to successfully bring his unique vision into the commercial space.